Call me Ignatz

I’ve encountered my first obstacle in choosing a text for my entry in Scott Brick’s audiobook narration contest

…finding a good book that Scott Brick didn’t narrate.

That’s not as inconsiderable a task as one might think. It is, from my perspective, an important one.

After all, if you were a contestant on American Idol, you’d be foolhardy to select a Journey or Westlife song as your audition piece, or a song that Kara DioGuardi wrote, or a song that Paula Abdul had lip-synched (did I say that?).

Why? Because you’re being judged by people who are intimately familiar with the material, have an emotional connection to it, and most significantly, have a strongly developed idea about the way the song ought to be performed. A way that — good, bad or indifferent — probably will be different from your own.

Therefore, I can’t imagine that a tyro like me would be well served by trying to out-Brick the master.

The challenge is that Scott has previously narrated books by many of the authors whose works I’d love to read — Harlan Coben, Dennis Lehane, Rex Pickett, and Isaac Asimov, to name just four. Even the book I’m currently using for my daily workouts — Erik Larsen’s The Devil in the White City — was recorded by Scott. (I am assiduously avoiding Scott’s version until I’ve finished with the text.)

Never fear, though. I have a handful of solid prospects in mind. I plan to make a final choice in the next week, giving myself ample time to select a suitable passage in time for the contest’s June 10 kickoff.

I’ll just have to hope that, whatever I pick, Scott doesn’t get to it first.

Explore posts in the same categories: Audiobooks, Narration, Strategy, Voice acting, Voiceover

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